Tuesday, June 18, 2024

Indeed, Edna, only you can save them from their own self-referential social narcissistic Pavlovian tactics to collect likes and praises on a selfie

Artwork © TheFieryHawk

The Narrow Path


In the second episode of the educational TV program “Champions Talk: From the Arena to the Workplace”, co-produced by the Peking University Youth League Committee and China Education Television (CETV), and broadcasted on CETV Channel 1 Sunday, December 17, 2023, four-time Women’s World Chess Champion and PKU Professor 侯逸凡 (Hóu Yìfán) talked to the students. How does one decide to become a professional player? “As a pro, one’s path is relatively narrow”, she said. “One must be objective in his judgment, along with an understanding of the big picture, trying not to make premature decisions”.

Monday, June 17, 2024

To be sure, Edna, they always try to reinterpret whatever you say, but alas! they don’t understand what you say

Parallel Time

On Saturday, June 15, 2024, four-time Women’s World Chess Champion and PKU Professor 侯逸凡 (Hóu Yìfán) (pictured above, seated first from right) was one of the speakers invited to give addresses at a roundtable dialogue on “Integration of sports and education and career transformation” which was held at Peking University Khoo Teck Puat Gymnasium in 北京 (Běijīng), China.

Suddenly This Summer

Viola suddenly realised that she had already spent six days of her one-week holiday in Istanbul, Turkey, and had not sent us any pictures as yet. Photos: Viola & Elvis.

A Jolly Summer

On a sunny Sunday in June, in and around the walls of Poggio a Caiano, province of Prato, Tuscany, Italy, along with Mado Flynn in a street art market.

Saturday, June 15, 2024

Yeah, Edna, sometimes small things lead to inestimable joy

Artwork © True_Might

Amber and the Moonstone

Set your alarm clock if you’d like to take a Sunday stroll through Poggio a Caiano, province of Prato, Tuscany, Italy, and do not miss the chance to have a look at Mado Fynn’s stall in the street art market in Piazza Risorgimento on Sunday, June 16, 2024, from 9 A.M. to 7 P.M.

As Ambra flees Ombrone, Lorenzo de’ Medici says in his poem Ambra, stanza 41, her limbs changed (“mutar le membra”) and, as she turned to stone, she appeared as a “sketched figure unfinished in hard stone” (“come suol figura / bozzata e non finita in pietra dura”). Photo: Comune di Poggio a Caiano.

You know, Edna, the heaven they long for is likely to be just an antechamber to the white city of your dreams

Friday, June 14, 2024

A Journey Far Away

Alice Lee – 谭中怡 (Tán Zhōngyí)
4th Cairns Cup; Saint Louis, June 13, 2024
Queen’s Indian Defence A50

1. d4 Nf6 2. c4 b6 3. Nc3 Bb7 4. a3 e6 5. d5 Bd6 6. Nf3 0-0 7. e4 exd5 8. exd5 c6 9. Be2 cxd5 10. cxd5 Na6 11. 0-0 Nc7 12. Bg5 h6 13. Bh4 g5 14. Bg3. This implies the sacrifice of a Pawn for a nebulous compensation, whereas instead 14. Nxg5!? hxg5 15. Bxg5 would leave White with two Pawns and the initiative for the sacrificed Knight. No wonder Lee, whose overly cautious opening repertoire makes it often difficult for her to play for a win even with White, opted for the least expensive price.
14. ... Bxg3 15. hxg3 Nfxd5 16. Nxd5 Bxd5 17. Nd4 Qf6 18. Bd3 Ne6 19. Nf5 Nc5 20. Bc2 Be6 21. Nd4. Interesting was 21. Nd6! Qxb2 22. Rb1 Qxa3?! 23. f4! Qxg3 24. Rf3 Qg4 25. f5 Ba2 26. Ra1 Bb3 27. Bxb3 Nxb3 28. Rxb3 Qxd1+ 29. Rxd1 a5∞ with four Pawns for the Knight and an asymmetrical balance.
21. ... Bc4 22. Re1 Rfe8 23. Qd2 Kf8 24. Nf5 d5


25. g4? So far White had achieved little or nothing for the Pawn, but now Lee has further bad judgment, conceding her opponent too much. Best was 25. Rab1 Rxe1+ 26. Rxe1 for if Black continued with 26. ... Qxb2 27. Nxh6 Ne4 (as in the game), the rejoinder would be 28. Rxe4! dxe4 29. Qd6+ Kg7 (29. ... Ke8?? 30. Nf5 Qa1+ 31. Bb1!+−) 30. Nf5+ Kg8 31. Qh6 Re8 32. Qxg5+ with a draw by perpetual check.
25. ... Qxb2 26. Nxh6 Ne4 27. Qd1 Nc3 28. Qf3 Ne2+ 29. Kh2 Nf4 30. g3 Be2! 31. Qb3 Qxb3 32. Bxb3 Nd3 33. Bxd5 Rad8 34. Bxf7 Nxe1 35. Rxe1 Re7 36. Nf5 Kxf7 37. Nxe7


37. ... Bf3! The pointe: White’s Knight is doomed, and its moves are numbered.
38. Nf5 Rh8+ 39. Nh4 gxh4. Now the ending is easily won by Black.
40. Kh3 Rg8! 41. Re3 Bxg4+ 42. Kxh4 Kf6 43. f3


43. ... b5! 44. Rc3 (44. fxg4 Rh8#)
44. ... a5 45. Rc6+ Be6 46. g4 Rh8+ 47. Kg3 Rb8 48. f4 Ke7 49. f5 Bd5 50. Rc2 b4 51. axb4 axb4 52. Kf4 b3 53. Rb2 Kd6 54. g5 Rb4+ 55. Ke3 Ke5 56. Kd3 Kxf5 57. Kc3 Rf4 58. Rd2 Bf7 59. Rg2 Kg6 0–1.

To be sure, Edna, no one likes being the only one in a mug-shot album

Tuesday, June 11, 2024

A Monday in Venice


Clarice Benini – Simone Bussers
Women’s Western European Zonal Tournament; Venice, July 9, 1951
Semi-Tarrasch Defence D40

1. d4 d5 2. c4 c5 3. Nf3 Nf6 4. e3 e6 5. Nc3 Nc6 6. Be2 dxc4 7. Bxc4 cxd4 8. Nxd4 (8. exd4)
8. ... Nxd4 9. exd4 Be7 10. 0-0 0-0 11. Be3 a6 12. Qf3 Rb8 13. a4 Bd7 14. Bf4


Now Black goes for an interesting Exchange sacrifice:
14. ... Bc6 15. d5 exd5 16. Bxb8 dxc4 17. Qe2 Qxb8 18. Qxe7 Re8 19. Qc5


19. ... Qf4? 19. ... Ng4! seems to give Black excellent compensation.
20. f3. 20. Rfe1 Rc8 21. h3 might have been stronger.
20. ... Re5. 20. ... Nd7 21. Qf2 Ne5 was also worth considering.
21. Qf2 Rh5 22. g3


22. ... Qh6? The losing mistake as Black surrenders the d-file to the White Rooks. 22. ... Qc7! was imperatively called for.
23. Rad1 g6 24. Rd4 Rf5 25. Qe2 b5 26. Rd8+ Kg7 27. Qe7! Forcing a winning liquidation.
27. ... g5 28. Qf8+ Kg6 29. Qxh6+ Kxh6 30. Rd6 Bb7 31. axb5 axb5 32. Rb6 Ba8 33. Rxb5 Rxb5 34. Nxb5 Nd5 35. Nd6 c3 36. bxc3 Nxc3 37. Nxf7+ Kg6 38. Nd6 Ne2+ 39. Kf2 Nd4 40. Ke3 Ne6 41. f4 gxf4+ 42. gxf4 Kf6 43. Ra1 Bg2 44. Ra7 Ng7 45. Rf7+ Kg6 46. f5+ Kh6 47. Ne4 Bh3 48. Rf6+ Kh5 49. Kf4 Nxf5 50. Rxf5+ Bxf5 51. Kxf5 Kh4 52. Nf2 h5 53. h3 Kg3 54. Kg5 h4 55. Kh5 1–0.

After the 11th move of White. Photo: Ferruzzi Archive, Venice, via scacchipress.it.

Monday, June 10, 2024

You know, Edna, they are only creating excitement and anticipation around your forthcoming apparition among them

Twist and Twirl

On June 7, 2024, FIDE Ethics Commission released first instance decision with regard to the chess policies of Chess Federation of Russia (hereinafter CFR) in the new Russian territories, according to which “CFR is sanctioned by a temporary exclusion of membership in FIDE for two years from the date of this decision”, while FIDE President, Arkady Vladimirovich Dvorkovich, “is sanctioned to a reprimand”.
Both CFR and Dvorkovich will appeal the decision to the competent FIDE General Assembly scheduled for September in Budapest, Hungary, at the 45th Chess Olympiad.
CFR President Andrey Vasilievich Filatov, however, was deeply irritated by the “politically correct” attitude shown by his fellow Russian FIDE President commenting on the ruling, accusing him bluntly of fence-sitting. “I would describe the policy pursued by Dvorkovich within FIDE with a sentence, ‘I twist and twirl because I wanna cheat everyone’”, Filatov told TASS.
In Machiavelli’s terms, it might even be a compliment.

Thursday, June 6, 2024

27 Questions

With and Without

In memory of Francesco Giusti, poet, whose light went out in Venice on June 5.

Giorgio Agamben, Quodlibet, June 6, 2024

Separazione

Ti lascio una palpebra, un dente,
uno squillo e del nuovo sole un
magnifico portamento un vanto,
qualche buona ragione per lasciarteli,
la porta sotto la quale tutta questa roba
infilo e la porta accanto. Sento
la certezza che tornerai. Con la matita
grossa rossa e blu, il tuo nome tracciato,
lascerò, e acqua in una bottiglietta
perché tu beva e viva. Ma,
benefattrice del tuo viso, entri
da dietro sicché non ti vedo. Spazi
di profondo secondo silenzio
ci attendono. Ho le stigmate
della solitudine e della guerra
addosso. Terra scura di una stagione,
fecondi, con le mani muoviamo
come latte in un secchio, lembi di cielo.
E sempre solo una sedia sola
c’è sulla collina che sta per
venirci addosso. Ora luna
senza famiglia piange sulle scale
di casa, ha una ferita cresciuta
che ti assomiglia; è quel pino
tuo padre, colui che ti conosceva
fin dagli inizi, rosso e lontano.

Separation

I leave you an eyelid, a tooth,
a blare a magnificent poise
a pride of the new sun,
some good reason to leave you them,
the door under which I tuck
all this stuff and next door. I feel
the certainty that you will return. With the big
red and blue pencil, I will leave your name traced,
and water in a litte bottle
for you to drink and live. But you,
benefactress of your visage, you come in
from behind, so I can’t see you. Spaces
of deep second silence
are await us. I am wearing
the stigmata of solitude and war.
You make dark earth of one season
fruitful, with our hands we stir
strips of sky, like milk in a bucket.
And there is always only a lone chair
on the hill which is about to fall
on us. Familyless moon
now weeps on the stairs
of home, it has grown a tear
that looks like you; it is that pine tree
your father, the one who knew you
right from the beginning, red and far away.

From the unpublished collection Ultime, September 2023

(English translation by I, Robot)

Paul Nash, The Separation of Light from Darkness, 1924. Courtesy of WikiArt.

It goes without saying, Edna, that if there is no mascarpone, you may have to purchase ricotta

Wednesday, June 5, 2024

Bougainvillea

Ming Tang-Evans won the Tiptree Cake Award of Pink Lady Food Photographer of the Year 2024 for It’s Raining Cake — Hallelujah!, a capture bursting with colour, styled by Tarunima Sinha. Photo: Ming Tang-Evans/Pink Lady FPOTY 2024.

Well, Edna, it’s a little like the difference between homemade gorgeous tiramisus and store-bought portioned ones

Artwork © AdelDU13

Other Worlds

On things that there are-not

Giorgio Agamben, Quodlibet, June 3, 2024

Cristina Campo once wrote: “what else truly exists in this world if not what is not of this world?”. This is probably a citation from John 18.36, where Jesus declares to Pilate: “My kingdom is not of this world: if my kingdom were of this world, then would my servants fight, that I should not be delivered to the Jews. But my kingdom is not from the world”. It is therefore crucial to question the meaning and mode of existence of what is not of this world. Thhat is what Pilate does, who, almost as if he wanted to understand the status of this special kingship, immediately asks him: “So you are a king?”. Jesus’ answer, for those who can understand, provides a first indication on the meaning of a kingdom that exists, but is not from here: “You say that I am a king. For this I was born and for this I came into the world, to testify to the truth”. And at this point, Pilate utters the infamous question, which Nietzsche called “the most subtle sally of all times”: “What is truth?”. The kingdom that is not of this world demands that we testify to its truth, and what Pilate fails to understand is that something can be true without existing in the world. That is, that there are things that somehow exist, but cannot be object of a juridical judgment of factual truth or untruth, like the one that is in question in the trial that Pilate is conducting.
Furio Jesi, questioning the reality of myth, suggested a formula that may be useful to take up again here: if the things that are in question in what he calls the mythological machine “there are, but they are in ‘another world’: there are-not”. And he immediately adds: “there is no more exact faith towards ‘another world’ that there is-not than the declaration that such ‘other world’ is not”. We understand, then, what Jesus means by asserting that his kingdom is not of this world. His kingdom there is-not, but nevertheless it is not devoid of meaning. On the contrary, he came into this world to testify to what is not of this world, to the things that there are-not. And this is precisely what Cristina Campo must have had in mind: only the things that do not exist in this world, or, rather, there are-not, are truly urgent and important for her life in this world.
It is well to reflect with special care, especially today when the need for truth seems to have been canceled from the world, on the particular status of things which, although not of this world, are truly dear to us and guide our thoughts and actions in this world. As Jesi suggests, it would in fact be an unforgivable mistake to confound the things that there are-not with those that there are, to pretend they simply there are. Their difference emerges clear in the distinction between revolt and revolution, which Jesi duly tries to define. Revolution is the goal set by those who believe only in the things of this world and therefore deal with the circumstances and times of their possible realisation in historic time according to the relations of cause and effect. Instead, revolt implies a suspension of historic time, the uncompromising commitment to an action whose consequences are neither known nor foreseeable, but which, for this reason, does not come to terms and compromises with the enemy. While those who do not see beyond this world only mind the power relations in which they find themselves and are ready to put aside their beliefs without scruples, the men of revolt are men of there is-not, who have suspended historic time once and for all and can therefore act in it unconditionally. Just because the things that there are-not do not represent for them a future to be achieved, but a present need to which they are obliged to testify at every instant, the more inexorably their action will act on the historic future, breaking it and annihilating it.
To those who today try by all means to bind us to a claimed factual reality that does not allow alternatives, it must first be opposed the thought, that is, the clear and peremptory vision of things that there are-not. Only he who knows without illusions that his kingdom is not of this world, but nevertheless is irrevocably present here and now in its own way, is given hope, which is nothing else than the ability to deny, every time, the brutal lie of facts that men build to enslave their fellows.

(English translation by I, Robot)

M. C. Escher, Other World, 1947. Courtesy of WikiArt.