Showing posts with label Italian Journalists. Show all posts
Showing posts with label Italian Journalists. Show all posts

Tuesday, February 7, 2023

A Most Beautiful Story

Pio d’Emilia, Southeast Asia correspondent for il manifesto, L’Espresso and Sky TG24, has died today in Tokyo at the age of 68. It was d’Emilia who, in the early 2000s, together with Serbian journalist John Bosnitch, rescued and saved 11th World Chess Champion Bobby Fischer from a long detention in Japan and the “inevitable” extradition to the U.S. For the interested readers, we refer to his article for il manifesto of March 24, 2005. Pictured above, right to left, are Fischer, finally free, d’Emilia and Bosnitch on top of their mission impossible. Photo: Pio d’Emilia.

Thursday, November 17, 2022

A Ticket to Read

A Ticket to Read

Stefano Tatai, October 19, 2015

When in 1966 Mario Pannunzio, founder and director of Il Mondo (The World) returned from a visit to Hungary, where he had been travelling also because his wife was a Magyar, I asked him what had impressed him most of all. I expected him to respond by commenting on the beauties of Budapest, but to my great surprise he answered me: “All those young people who always have a book in their hands and continue to read even when they travel in the trams”.
The worst things can be said about the countries of real socialism, but surely one cannot say that they did not provide the means for young people to pursue their study desires. The price of books was negligible compared to its cost in Western countries.

Wednesday, November 9, 2022

A Will and a Way

An article signed by Pier Franco Quaglieni, entitled “Thus a nephew-in-law betrayed the memory of Pannunzio”, has lately appeared in Il Giornale of April 16, 2022, recounting the story of how the library of Mario Pannunzio was blown away from the Pannunzio Centre — incidentally chaired by Quaglieni himself — and ended up being owned by the Italian Chamber of Deputies. To be sure, Quaglieni himself admits that the Chamber of Deputies is in itself a worthy final destination for such a legacy, but he also claims that the will of Pannunzio’s Hungarian wife, Mary (Maria) Malina, was to donate her husband’s library and documents to the Pannunzio Centre. It did not take him long to discover that the executor of the deceased’s legacy was a nephew of her’s of Hungarian descent, and thus a nephew-in-law of Pannunzio, named Stefano Tatai, a twelve-time Italian Champion and international Master of chess. And he, apparently, was the one who, in disregard of his aunt’s last will, decided to sell his uncle’s library and documents to the Italian Chamber of Deputies. Curiously enough, neither all Pannunzio’s friends, nor Mary, ever said anything to him about Tatai, that Quaglieni saw, at the time of his own university studies, only once “at a tavern in the Prati rione of Rome”. Tatai, who fled Hungary as a refugee in 1956, very much relied upon the help of Mary and Mario Pannunzio in dealing with the needs of his being a chess professional in Italy. And thus Quaglieni writes: “It would be interesting to know what Tatai got in return and if other Italian hands were behind him”. And yet the lack of a question mark does suggest the awareness that the answer may never come.

Tuesday, November 30, 2021

The War of the Roses

Order, counter-order, disorder — COVID-19 is back! Rai 3’s investigative TV series, Report, continues its inquiry — by simply following the money — into the black holes of the mainstream narrative.

Tuesday, November 9, 2021

Hard Times

Italian journalist Sigfrido Ranucci, who hosts the investigative TV series Report on Rai 3, is continuing his inquiry into the Italian “Night of the Pencils”, when one night in March 2019 COVID-19 wiped out all forms of terrestrial life in the peninsula. Since then any semblance of democratic governance has been halted by a temporary “emergency state” which continues to this day, so as to confirm the saying that “Nothing is more permanent than the temporary”. Most of the media, for fear of losing the public funding that goes to the press, immediately echoed the official narrative, with as much obedience and rhetoric as the government needed to violently suppress all forms of intellectual dissent. It’s not merely a matter of who sits in the driver’s seat of a puppet governement, but a crucial showdown between mankind and its oppressors. Not surprisingly the fake prosperity of a war economy may involve both legal and illegal activities, which can make pharmaceutical corporations (and their local business agents) earn big profits by selling magic elixirs of life — side effects aside. To quote the Congressional Record of the U.S. Senate (February 11, 1929), “as long as somebody can sell what does not exist, he can control the market”.

Tuesday, November 2, 2021

All things come in threes

Italian journalist Sigfrido Ranucci, who hosts the investigative TV series Report on Rai 3, was roughly criticised and threatened with censorship by the government’s guard dogs of RAI’s Vigilance Commission for his reporting on the ethics of vaccination in Italy, tellingly titled “All things come in threes” (“Non c’è due senza tre”), in which both the validity of the so-called “health pass”, as well as the campaign for the third dose of vaccine, have been seriously questioned on the ground of its scientific reliability and its being only functional to the financial interests of Big Pharma.

Tuesday, March 16, 2021

Well, Edna, you apparently conquered other planets, even if only in an intellectual and aesthetic sense

The author himself describes his book thus: “The Academy of the Three Princes is a billiard room. It is an underground basement, a fabulous cave, where, under the blind gaze of the wise Borges, legendary players such as the Stinker, Elvis, Tremal-Naik, the Mummy, the Professor and Tamarind get to point their cue sticks at each other. Ashtrays get emptied and battles are counted by scores. One day Panter makes her entrance in that world of only men — she is “slim, lithe, pale”, and the legend crosses over borders. When the invincibles fall, as in a chivalrous poem, champions start coming from afar. Out of her story, Panter hands the baton to Aixi, a girl in love with her sea, and the bearer of a new challenge flooded with light and mystery. (Illustrated by Luca Ralli)”.

Tuesday, February 25, 2020

Meanwhile in Arcovazzia

Stupidity has made enormous progress. It is a sun that one can no longer gaze at without blinking. Thanks to mass communications, it isn’t even the same thing any longer, it feeds on other myths, it sells at an extremely high price, it has turned good sense into something ridiculous, it spreads terror all around itself.

Ennio Flaiano, “The Via Veneto Papers”, 1973

Sunday, July 29, 2018

Any resemblance to actual persons, living or dead, or actual events is purely coincidental

Fascism is demagogic but master-like, rhetorical, xenophobic, culture-hating, despiser of freedom and justice, oppressor of the weaker, servant of the stronger, always ready to point at the “others” as the reason of its own impotence or defeat.

Ennio Flaiano, “Diario degli errori”, Milano, Rizzoli, 1976
English translation by Andrea Gaddini

Friday, February 23, 2018

Intelligence Is Overrated

Stupidity has made enormous progress. It is a sun that one can no longer gaze at without blinking. Thanks to mass communications, it isn’t even the same thing any longer, it feeds on other myths, it sells at an extremely high price, it has turned good sense into something ridiculous, it spreads terror all around itself.

Ennio Flaiano, “The Via Veneto Papers”, 1973

Wednesday, December 6, 2017

Hopefully, one day

One day fascism will be treated with psychoanalysis.

Ennio Flaiano, “Diario Notturno”, 1956

The Importance of Not Being Arcovazzi

Fascism is demagogic but master-like, rhetorical, xenophobic, culture-hating, despiser of freedom and justice, oppressor of the weaker, servant of the stronger, always ready to point at the “others” as the reason of its own impotence or defeat.

Ennio Flaiano, “Diario degli errori”, Milano, Rizzoli, 1976
English translation by Andrea Gaddini