Catwoman Goes to the Opera

It was Sunday evening, and Aurora made her way up to the backstage of the Opera, posing for a Mado Flynn ad campaign for the A.M.A. (Friends of Animal World) Cat Pound.

Oh yes, Edna, at this rate they are going to self-destruct before the next war, hopefully

Artwork © Sky (@skyros_creations)

Dark Honey

Café Doney

Stefano Rosselli del Turco – Vittorio Volpi
1st Classification Tournament of Florence Chess Academy; Florence, 1899
French Defence C14

1. e4 e6 2. d4 d5 3. Nc3 Nf6 4. Bg5 Be7 5. e5 Nfd7 6. Bxe7 Qxe7 7. Nb5 Qb4+? A grave mistake. Already at that time, theory recommended either 7. ... Nb6 or 7. ... Qd8.
8. c3 Qa5 (8. ... Qxb2 9. Rb1+−)
9. Qd2. The Nuova Rivista degli Scacchi, Nos. 1-2, February 25, 1900, from where we took the present game (pp. 33–34), notes, with some reason, that “9. b4! Qb6 10. a4! at once was stronger”.
9. ... a6 10. Na3 c5 11. Nf3 cxd4 12. cxd4 Nc6 13. Nc2 Qxd2+ 14. Nxd2 f6 15. f4 0-0 16. Bd3 fxe5 17. fxe5 Rf4 18. Nf3 Nf8 19. 0-0 Ng6 20. Bxg6 hxg6 21. Nd2? A tactical slip, which luckily for Rosselli del Turco passes unnoticed. White should have first driven out the Black Rook with 21. g3.
21. ... Rxf1+? Black could have simply won a Pawn with 21. ... Nxd4! 22. Rxf4 Ne2+.
22. Rxf1 Bd7 23. Nf3 Rf8 24. Ng5 Rxf1+ 25. Kxf1 Ne7 26. g4 Kf8 27. Kf2 Ng8 28. Nb4 Nh6 29. Kg3 Nf7. “Black wasted so much time to come to exchange a Knight that was so useful to him!”, writes the commentator of the Nuova Rivista degli Scacchi. “This is an error of strategy!”.
30. Nxf7 Kxf7 31. Kf4 Bb5 32. Nc2 Bd3 33. Ne3 Be4? And this can well be called the losing move!

34. Nc4!+− dxc4 35. Kxe4 b5 36. d5 exd5+ 37. Kxd5 Ke7 38. a3! Kd7 39. Kc5 Ke6 40. Kb6 Kxe5 41. Kxa6 Kf4 42. Kxb5 Kxg4 43. a4 1–0.

Play Days

Searching for Spring

Visitors make their way through 西湖 (West Lake) park in 杭州 (Hángzhōu), 浙江省 (Zhèjiāng province), China. Photo: 新华社 (Xīnhuá News Agency)/Shutterstock.

Oh, you’re right, Edna; he’s no lord!

Artwork © Sky (@skyros_creations)

Lord Voldemort

Heads of state and murderers

Giorgio Agamben, Quodlibet, March 10, 2026

For the first time in history, we see the head of a self-proclaimed civilised state speaking openly like a murderer, saying of the religious leader of a country he assaulted: “we’re gonna kill him”, and of that country’s inhabitants: “we’ll massacre them”. Neither Hitler nor Stalin ever spoke like this. And yet, not only is this man not charged and deposed, but the heads of state of the so-called Western democracies approve of him, implicitly accepting that now politicians express themselves publicly as perhaps not even murderers dare to do among themselves.

(English translation by I, Robot)

Edvard Munch, The Murderer, 1910. Courtesy of WikiArt.

Hey, Edna, can you give us a ride?

Artwork © Sky (@skyros_creations)

E=mc²

Oh no, Edna, it is not yet clear who among Ben, Bibi and Don will turn out to be the ultimate winner

Artwork © Enya (@enya.draws4u)

On the Take

To be sure, Edna, it’s always sad to build a world no one will live in

Artwork © Kike Iturralde @kikecitox)

From Sham to Shame

Europe’s shame

Giorgio Agamben, Quodlibet, March 5, 2026

A country was attacked without any real reason and treacherously, while a sham negotiation was going on, and its spiritual head was murdered. European Union — i.e., that illegitimate organisation which bears such name — not only failed to condemn a blatant violation of international law, committed by two countries which appear to have lost all sense of self and responsibility, but also enjoined Iranian people to cease defending themselves.

(English translation by I, Robot)

A tryst in the woods ends in shame, in Edvard Munch’s painting Ashes (1894–5, detail). Credit: Heritage.

猫城记 (City of Cats)

Love Is in the Air

An Algorithm for Peace

The Fall of the Masks

State and terror

Giorgio Agamben, Quodlibet, March 2, 2026

What is a state that, ignoring all legality, methodically murders or kidnaps the heads of states it arbitrarily declares enemies? Yet this is what is happening with the approval or embarrassed silence of European countries. This means that we live in a time when the state threw its legal masks off and is now acting according to its true nature, which is ultimately terror. It is probable, however, that this extreme situation is literally such that the shedding of the masks coincides with that end of the state form, without which a new politics will not be possible.

(English translation by I, Robot)

James Ensor, Death and the Masks, 1897. Courtesy of WikiArt.

Lose to Win

Body and Soul

You know, Edna, when you say Bibi, you’ve said Ben, and you’ve said it all

Artwork © RM (@beccaeyesee)

Icebreaker

Timestamp

С днем ​​рождения, Хоу Ифань!

Hey, Edna, all the world’s a birthday tiramisu cake, so take a piece but not too much!

Courtesy of Versa Printing, Inc. (@versaprinting)