Showing posts with label Tuscany. Show all posts
Showing posts with label Tuscany. Show all posts

Tuesday, May 18, 2021

Journeys

Just wandering on a half-sunny day at The Rose Garden in Florence amidst the sculptures of Jean-Michel Folon. From top to bottom, in order of appearance: Partir (2005), Chat-Oiseau (1994), Méditerranée (2001), Je Me Souviens (2003), Vivre (2002), and Chat (1996). Photos: Mado Flynn.

Sunday, September 23, 2018

Lost in Translation

Our first summer walk on Sunday morning around Pietrasanta, Italy amidst the spectacular sculptures of the Spanish artist Manolo Valdés. The exhibition, entitled “Manolo Valdés — Poetica della Traduzione” (Manolo Valdés — Poetics of Translation), will stay on display till next Sunday, September 30, 2018. Photos: Isadora Duncan.

Wednesday, August 23, 2017

Wednesday, January 4, 2017

Dalinian Dancer

Dalí’s Dancer (1949) reflects his admiration for the art of dance, especially the Spanish Flamenco. Photo: Isadora Duncan.

Alice in Wonderland

Dalí’s Alice in Wonderland (1977) is a hymn to the eternal girl who don’t get overwhelmed by the inhabitants of the surrealist world. Photo: Isadora Duncan.

“I seated ugliness on my knee, and almost immediately grew tired of it”.

Unicorn

The unicorn is a mythical creature prominent in legends as an intricately linked symbol of purity. The horn of a unicorn is believed capable of neutralizing any poison. In his Unicorn (1977), Dalí chose to portray the unicorn as a phallic figure whose horn penetrates a stone wall through a heart-shaped opening, from which a drop of blood seems to be slowly falling. The nude, reposing female stretched out in the foreground at the hooves of the animal and defended by the mythical beast, underlines the sensual nature of this sculpture. Photo: Isadora Duncan.

Homage to Terpsichore

Terpsichore is one of the famed nine Mythological muses. In creating his Homage to Terpsichore (1977), Dalí uses a reflected image, setting the soft, carnal muse against the hardened, statuesque one. Photo: Isadora Duncan.

Dance of Time I

Dance of Time I (1979) is the most well-known and beloved of Dalí’s iconic images; the fluidity of time is represented through the melting watch as time not only moving, but dancing in rhythm to the beat of the universe. Photo: Isadora Duncan.

Woman Aflame

Woman Aflame (1980) unites two of Dalí’s obsessions: fire, and a female figure with drawers. Photo: Isadora Duncan.

Surrealist Piano

The Surrealist Piano (1954) is one of Dalí’s major iconoclastic symbols. The artist has chosen to transform the banal woodden legs of a piano, replacing them with dancing female legs, thus creating an animate, joyous instrument that can dance as well as play. Photo: Mado Flynn.

Between Dream and Reality

Salvador Dalí exhibition “Between Dream and Reality” with over 100 works in the medieval town Pietrasanta, Lucca, Italy (November 12, 2016 – February 7, 2017). The Pietrasanta Cathedral and the evocative spaces of the church and the cloister of Saint Augustine are actually hosting over one hundred works by Salvador Dalí. Photo: Isadora Duncan.

Sunday, January 3, 2016

Gnomeo & Juliet

Walking like a duck through the debris on the beach after a storm, you can step on them, one by one. A rusted can of Red Bull, Dr. Strangelove’s sunglasses, a copy of a prearranged game scoresheet, a Black Widow’s Rosary, an illustrated book of “Snow White and the Seven Dwarfs”, a leaflet urging support for the Müller-Lyer illusion, and even a DVD of the movie “Gnomeo & Juliet”. At this rate, how many hours are for holiday and how many hours are for work? Photo: Mado Flynn.

Friday, January 1, 2016

The Winter Sea

I am one of thousands who received Dr. Strangelove’s annual Christmas wishes. It is just six days since I received his special Xmas card. I immediately knew it would have brought me very good luck. Indeed, the day after I had a flat tire on my car. Hell, it could have gone even worse :). And today, indeed, while our eyes were shining to the colour of winter sea, I felt we could not have gone better. Photo: Mado Flynn.