Beyond Dichotomies

The East–West dichotomy through the lens of 陈漫 (Chén Màn). Photo © 陈漫 (Chén Màn).

“范爷” (“Master Fàn”)

Diplomacy at its zenith: Dolce & Gabbana (alias Domenico Dolce and Stefano Gabbana) play mahjong by the grace of “范爷” (“Fàn Yé”) 范冰冰 (Fàn Bīngbīng). Photo © 陈漫 (Chén Màn). Courtesy of SENATUS.

In a Flash

张海儿 (Zhāng Hǎi’er), 曾艳 (Zéng Yàn) modeling fashion, 广州 (Guǎngzhōu), 1987. Photo © 张海儿 (Zhāng Hǎi’er). Courtesy of Photography of China.

Through The Hourglass

劉衞 (Lau Wai), I’m just 灣仔女孩 (Wan Chai girl), 2018. Photo © 劉衞 (Lau Wai). Courtesy of British Journal of Photography.

Solidarity economy

陈漫 (Chén Màn), Long Live the Motherland, 北京 (Běijīng) No. 1, 2011. Photo © 陈漫 (Chén Màn). Courtesy The New York Times.

The In Between

陈冲 (Joan Chén) being made up by 李威廉 (William Lee), while 孙周 (Sūn Zhōu) and 张海儿 (Zhāng Hǎi’er) watching, 龙华宾馆 (Lónghuá Hotel), 上海 (Shànghǎi), 1999. Photo © 张海儿 (Zhāng Hǎi’er). Courtesy of Photography of China.

A Dragon’s Witch

罗洋 (Luó Yáng), 斋藤丽罗 (Layla Saito), 2018. Photo © 罗洋 (Luó Yáng).

Time and Space

罗洋 (Luó Yáng), 斋藤丽罗 (Layla Saito), 2018. Photo © 罗洋 (Luó Yáng).

Make love, not war

陈漫 (Chén Màn), No. 10 1942 ISAAC ASIMOV WRITES THE THREE LAWS OF ROBOTICS, 2016. Photo © 陈漫 (Chén Màn).

The Abandoned Room

“Technology is a tool, not a substitute for living”. Caption & photo: 陈漫 (Chén Màn).

Still Lives

A Compassionate Veil

林志鹏 (Lín Zhìpéng), Untitled, 2013. Photo © 林志鹏 (Lín Zhìpéng). Courtesy of the artist.

生命中不能承受之轻 (The Unbearable Lightness of Being)

廖逸君 (Liào Yìjūn), How to build a relationship with layered meanings, 2008. Photo © 廖逸君 (Liào Yìjūn). Courtesy of British Journal of Photography.

Snake necklace

Avant-garde artist 陈漫 (Chén Màn) transforms a Pomellato necklace into a symbol of empowerment, positioning it along a dancer’s muscular back . Photo © 陈漫 (Chén Màn). Courtesy of the artist.

Gravitation and Inertia

黎雨诗 (Lí Yǔshī) & Chad Browne photographed by Eleonora Agostini for Vogue Italia, No. 857, February 2022. Photo: Eleonora Agostini/Vogue Italia.

High and Mighty

陈秋林 (Chén Qiūlín), I am an angel No.3, 2006. Photo © 陈秋林 (Chén Qiūlín). Courtesy of Christie’s.

Epistolary poem

陈漫 (Chén Màn), N°2 Cellphone, 2009. Photo © 陈漫 (Chén Màn). Courtesy of Galerie Loft, Paris.

Two in One

Possibly there is a hidden meaning in the concept of 阴阳 (yīn & yáng). Photo © 罗洋 (Luó Yáng).

🌸

黎雨诗 (Lí Yǔshī), 《梦境之后 》 (After The Dream), 2022. Photo © 黎雨诗 (Lí Yǔshī).

Peanut gallery

黎雨诗 (Lí Yǔshī), Your Reservation Is Confirmed (Stairs), 2018. Photo © 黎雨诗 (Lí Yǔshī).